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The Interface Effect, by Alexander R. Galloway
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Interfaces are back, or perhaps they never left. The familiar Socratic conceit from the Phaedrus, of communication as the process of writing directly on the soul of the other, has returned to center stage in today's discussions of culture and media. Indeed Western thought has long construed media as a grand choice between two kinds of interfaces. Following the optimistic path, media seamlessly interface self and other in a transparent and immediate connection. But, following the pessimistic path, media are the obstacles to direct communion, disintegrating self and other into misunderstanding and contradiction. In other words, media interfaces are either clear or complicated, either beautiful or deceptive, either already known or endlessly interpretable.
Recognizing the limits of either path, Galloway charts an alternative course by considering the interface as an autonomous zone of aesthetic activity, guided by its own logic and its own ends: the interface effect. Rather than praising user-friendly interfaces that work well, or castigating those that work poorly, this book considers the unworkable nature of all interfaces, from windows and doors to screens and keyboards. Considered allegorically, such thresholds do not so much tell the story of their own operations but beckon outward into the realm of social and political life, and in so doing ask a question to which the political interpretation of interfaces is the only coherent answer.
Grounded in philosophy and cultural theory and driven by close readings of video games, software, television, painting, and other images, Galloway seeks to explain the logic of digital culture through an analysis of its most emblematic and ubiquitous manifestation – the interface.
- Sales Rank: #875498 in Books
- Brand: Brand: Polity
- Published on: 2012-10-08
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .60" w x 5.48" l, 1.10 pounds
- Binding: Paperback
- 200 pages
- Used Book in Good Condition
Review
"Galloway's theorisation of the computer as a mode of mediation offers rich possibilities for the critical analysis of the digital."
Seb Franklin, in Radical Philosophy
"The Interface Effect builds on the work of Marxist critical theorists such as Fredric Jameson, new media scholars such as Wendy Chun, and Galloway's own work in earlier books such as Protocol. ... An interface, for him, becomes a technique for thought: an 'allegorical device' that makes the social world accessible in an age of information. ... The Interface Effect raises many critical questions about the ways that contemporary human beings mediate a historical present that invariably eludes us."
Patrick Jagoda, in the Los Angeles Review of Books
"Of vital importance to digital research; it should be included in any studies of the digital or mediated domain."
Media International Australia
"The Interface Effect fuses sophisticated contemporary theory with a detailed knowledge of the technics and techniques of digital media. Galloway is an important voice, and the book is sure to have a wide uptake among those interested in new media theory and contemporary aesthetics."
Jodi Dean, author of Blog Theory: Feedback and Capture in the Circuits of Drive
"Employing a sustained, powerful methodology, The Interface Effect sparkles with original insights. Galloway is interested not only in the effects that interfaces have, but also in them as themselves the results of cultural, technological, economic, and political forces. This double movement provides a way to connect the historical with the political, and the technological with both. This book is essential reading for anyone interested in new media studies, contemporary theory, and digital technologies."
N. Katherine Hayles, Professor of Literature, Duke University, and author of How We Think: Digital Media and Contemporary Technogenesis
About the Author
Alexander R. Galloway is Associate Professor of Media, Culture, and Communication at New York University.
Most helpful customer reviews
4 of 5 people found the following review helpful.
Great book
By Pedro Demo
Very complex and profound book, analytically dense, most up-to-date in the digital field, investigates interface as a reconstructive threshold, connecting two different worlds, implying a hermeneutic dynamics (interpretation). Communication is more than technical formalisms (these are grounding elements, of course, in the Shannon’s and Turing’s tradition) – it involves complex human expression that needs transformative passages between connection levels. I appreciated and learned very much. It’s a good example of how sophisticated can be analytical elaborations in the human sciences, when referred to new media.
2 of 3 people found the following review helpful.
Rebooting methodology
By Pierre-Marc Côté
In this very compact and rich book, Galloway shows great attention to methodology and discusses other essays at lenght. By rethinking most of the common place in media theory and showing their shortcomings in describing the computer interface, he sheds a lot of light on our relationship with machines under the ''society of control''. A work of great rigor with an elegantly unfloding argument.I would recommend this book to anyone interested in media, politics, aesthetics and even gaming.
0 of 5 people found the following review helpful.
Out there
By E-Marie
A bit too out there for me on digital media. If you are in academia and trying to argue FOR digital humanities against the doubters and techno-phobes than his perspectives and arguments are perhaps useful. However, he ignores access to technology to a fault. Very dry, very academic, very smart but very shaky as an effective argument due to what he does not address.
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