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? Download Ebook The Author's Hand and the Printer's Mind: Transformations of the Written Word in Early Modern Europe, by Roger Chartier

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The Author's Hand and the Printer's Mind: Transformations of the Written Word in Early Modern Europe, by Roger Chartier

The Author's Hand and the Printer's Mind: Transformations of the Written Word in Early Modern Europe, by Roger Chartier



The Author's Hand and the Printer's Mind: Transformations of the Written Word in Early Modern Europe, by Roger Chartier

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The Author's Hand and the Printer's Mind: Transformations of the Written Word in Early Modern Europe, by Roger Chartier

In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author’s or translator’s manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author’s hand cannot be separated from the printers’ mind.

This book is devoted to the process of publication of the works that framed their readers’ representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes’ Don Quixote or Shakespeare’s plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call 'literature'.

  • Sales Rank: #801435 in Books
  • Brand: Chartier, Roger/ Cochrane, Lydia G. (TRN)
  • Published on: 2013-11-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .82" w x 6.05" l, 1.35 pounds
  • Binding: Paperback
  • 224 pages

Review

'In these essays on the linguistic, typographical, social and cultural contexts of works by Shakespeare and Cervantes (among others), Roger Chartier shows once again his remarkable gifts for close reading, original observations, and the judicious and fruitful use of sociocultural theory.'
Peter Burke, University of Cambridge

'These brilliant essays, by the world's foremost historian of the book, are an essential guide to the textual labyrinth in which we find ourselves, a perplexing maze in which manuscripts, printed books, and digital media vie for attention. By looking with singular learning and insight at early modern texts -- above all, works by Shakespeare and Cervantes -- Chartier enables us to understand not only the written traces that have been left by the past but also the traces that we will leave for the future.'
Stephen Greenblatt, Harvard University


"Chartier’s essays provide an impressive model for just such a rigorous and sophisticated investigation of the reading and writing habits of the past..."
Andrew G. Bonnell, University of Queensland

Review

"Chartier's essays provide an impressive model for just such a rigorous and sophisticated investigation of the reading and writing habits of the past…"
Australian Journal of Politics and History

''In these essays on the linguistic, typographical, social and cultural contexts of works by Shakespeare and Cervantes (among others), Roger Chartier shows once again his remarkable gifts for close reading, original observations, and the judicious and fruitful use of sociocultural theory.''
Peter Burke, University of Cambridge

''These brilliant essays, by the world's foremost historian of the book, are an essential guide to the textual labyrinth in which we find ourselves, a perplexing maze in which manuscripts, printed books, and digital media vie for attention. By looking with singular learning and insight at early modern texts -- above all, works by Shakespeare and Cervantes -- Chartier enables us to understand not only the written traces that have been left by the past but also the traces that we will leave for the future.''
Stephen Greenblatt, Harvard University

About the Author
Roger Chartier is professor of history at the Collège de France, Director of Studies at the École des hautes études en sciences sociales and Annenberg Professor of History at the University of Pennsylvania.

Most helpful customer reviews

1 of 1 people found the following review helpful.
The Authors Hand and the Printers Mind is a magisterial collection of scholarly essays about books
By Michael Birman
Roger Chartier is a renowned scholar whose expertise is the cultural significance of books: from their birth in manuscript form as an author's initial creative act to their malleability in the hands of editors, proofreaders and illustrators as they revise that original vision into something new and collaborative to their ultimate production in the hands of printers, bookbinders and other artisans who manufacture the final cultural artifact we call a book. Chartier is fascinated by books as a collaborative creative enterprise whose cultural significance may be found in their unique identity as a reflection of the era in which they are made. Books are infinitely more than a mere collection of pages between front and back covers; they are truly the embodiment of the spirit and thought of an age.

The Authors Hand and the Printers Mind is a magisterial collection of scholarly essays that will appeal to cultural anthropologists, antiquarians, writers, philosophers, book collectors and anyone else whose love of books requires constant feeding and nurturing. These essays are not light reading but they are thoughtful and profound and they are a nearly constant source of intellectual satisfaction. In these brilliant essays Chartier examines the multifaceted concept of the book as if he were analyzing a glistening gem under a magnifying glass, searching for meaning and always finding it in its ultimate repository: that constantly evolving entity called a book.

1 of 1 people found the following review helpful.
This is a wonderful, exciting book
By Robert Moore
This is a wonderful, exciting book. It reminds me of certain academic books that open up aspects of the world of which I'd previously been unaware. It isn't so much that Chartier breaks down one's understanding of the world as he makes you aware of aspects of which you'd been previously unaware. He puts me in mind of writers like Roland Barthes or Norbert Elias or Arnaldo Momigliano or Keith THomas. He doesn't merely inform you but helps transform the way you think about the world.

The biggest thing that Chartier did for me in reading his essays was grasp the degree to which I had superimposed modern publishing upon early publishing. Even today one cannot assume that the published version of a book is what the author intended, but usually this consists merely of adjusting a title or rearranging chapters, but Chartier shows that in the earliest days of publishing this went to completely differently degrees. This is academic writing that is not merely educational, but a heck of a lot of fun.

0 of 0 people found the following review helpful.
Not for the bedtime reader
By Connie (She who hikes with dogs)
This is a scholarly read and may be difficult to take in when too much is read at once. I had to readjust my focus when tackling this book, but Roger Chartier does make some very valid points in these twelve essays.

Chartier covers several aspects of the printed word from Midde Ages to present, using European references. There's a new topic in each essay. In the first essay, for example, "Listen to the Dead with your Eyes" he asks us to imagine the changes the written word undergoes over the years, "given to be read in forms that are no longer those in which the readers of the past encountered them" (6). This is especially true today, when everything is now digitalized. Only privileged people learned to read and write, so it makes sense that the written word was about "redoubtable and feared powers" (21) that could easily be changed in whatever form in the print shop, thus altering the original text

Western Europe, which is the focus of this book, was enamored by its big writers: Shakespeare and Cervantes being the two that Chartier mentions the most. Their written words have gone through so many changes over the years, but it's not just through translations, but through changes in stage modifications and modernized technology. Chartier questions if these changes are keeping in line with the author's authentic text. This seems overkill to me, as it's the message that counts, and it's the message's meaning that may change relevance over time.

There are many other aspects that Chartier covers, such as translated text, modern text in digital form, etc. While the reading is very scholarly and the reader should refrain from reading too much, there are some good tidbits in these essays.

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