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Mexican cinema is booming today, a decade after the international successes of Amores perros and Y tu mamá también. Mexican films now display a wider range than any comparable country, from art films to popular genre movies, and boasting internationally renowned directors like Alfonso Cuarón, Alejandro González Iñárritu, and Guillermo del Toro. At the same time, television has broadened its output, moving beyond telenovelas to produce higher-value series and mini-series. Mexican TV now stakes a claim to being the most dynamic and pervasive national narrative.
This new book by Paul Julian Smith is the first to examine the flourishing of audiovisual fiction in Mexico since 2000, considering cinema and TV together. It covers much material previously unexplored and engages with emerging themes, including violence, youth culture, and film festivals. The book includes reviews of ten films released between 2001 and 2012 by directors who are both established (Maryse Sistach, Carlos Reygadas) and new (Jorge Michel Grau, Michael Rowe, Paula Markovitch). There is also an appendix that includes interviews carried out by the author in 2012 with five audiovisual professionals: a feature director, a festival director, an exhibitor, a producer, and a TV screenwriter.
Mexican Screen Fiction will be an invaluable resource for students and scholars and essential reading for anyone interested in one of the most vibrant audiovisual industries in the world today.
- Sales Rank: #1728621 in Books
- Published on: 2014-02-03
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .95" w x 6.05" l, 1.00 pounds
- Binding: Paperback
- 296 pages
Review
''Combining insightful readings of key films with social science approaches to issues of production, distribution, exhibition and audience response, Paul Julian Smith’s Mexican Screen Fiction ventures beyond the boundaries of traditional film studies to offer a probing and wide ranging study of Mexico’s dynamic audiovisual sector.''
Kathleen Vernon, Stony Brook University
''With his latest book, Paul Julian Smith not only offers valuable insights into contemporary Mexican screen fiction, bringing together both film and TV, which are located in their industrial, critical, cultural and historical contexts. Researched and written with evident pleasure, he provides us with an innovative paradigm for thinking about screen media in the twenty-first century.''
Andrea Noble, Durham University
About the Author
Paul Julian Smith is Distinguished Professor in the Hispanic and Luso-Brazilian Program at the Graduate Center in City University of New York.
Most helpful customer reviews
2 of 2 people found the following review helpful.
`Just the facts, ma'am'
By Grady Harp
Paul Julian Smith is Distinguished Professor in the Hispanic and Luso-Brazilian Program at the Graduate Center in City University of New York. He has obviously filled a gap in our information about the progress of Mexican cinema and television over the past decade and a half and in this book he outlines the changes that have brought Mexican made cinema to a new high in world standards. He discusses the more open approach to gay themes and films and why that has been possible in a country where same sex discussion are still rather taboo. He examines the growth and maturation of the telenovellas into films or series of substance instead of soap operas. And of course he dwells heavily on the work of the very famous Mexican directors Alfonso Cuarón, Alejandro González Iñárritu, and Guillermo del Toro. Of more interest is a series of five interviews with audiovisual professionals - a feature director, a festival director, an exhibitor, a producer, and a TV screenwriter.
Though the book is rich in detail and in academic approach, it is heavy and for the most part flatline reading for most readers. Best for students of cinematic arts in a classroom setting. Grady Harp, April 14
0 of 0 people found the following review helpful.
Nice intro to Mexico's rising creative film industry
By sanoe.net
When I was growing up in a town in San Diego county, Mexican telenovelas and a few comedies were available to view and for a long time that was my view of Mexico's entertainment industry. But since the turn of the century, Mexico's film and television has grown both within Mexico and then outside of Mexico.
Paul Julian Smith's "Mexican Screen Fiction" is a great way to introduced oneself to this subject as well as the themes that drive some of this creativity. I like that Smith mixes it up with film and television rather than just sticking to just one. Some familiar names and films appear (ex: del Toro and Pan's Labyrinth) but I wasn't as familiar with the television series that are highlighted so that was of particular interest and curiosity for me.
Reading is easy and can be done at leisure. Smith can get a little wordy but he obviously enjoys this subject and the research is well done. It isn't the definitive book on Mexican film and television but again, it is a nice introduction to anyone who wants to learn more.
0 of 0 people found the following review helpful.
A scholarly endeavor
By Connie
This book reads more like a scholarly text than it does a non-fiction work. It covers TV and film in Mexico since 2000, something that may be interesting to a limited readership. It covers all genres, though, and also does a good job covering leading women in both TV and the screen, an area I find particularly interesting as I have seen many strong female roles in Latino works. Surprisingly to me is how vast the collection is; I have only heard of two of the films featured.
Author Paul Julian Smith uses a lot of interviews with directors and actors to get his narrative to flow. There is also an extensive bibliography.
This book would appeal to those with an interest in modern cinema, or a film or directing buff of Latino works. The writing is dry. This, however, is a scholarly endeavor.
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